Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?

On December 5, 2024, a leading publication ran the headline “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then calmly departed the scene”. The murder in broad daylight was truly chilling and disturbing. But many Americans had a different response: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Online platforms erupted. One post stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”

Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the death penalty. So what is his background? And what drove the accused offense? These are the issues John H Richardson seeks to resolve in an investigation that delves into wider topics, too.

The Making of a Subject

A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on a reading platform”. Their content covered climate change to masculinity, along with a “focus on his own personal growth, both body and mind”. Furthermore, Richardson analyzes his communications with online personalities and authors as well as his many posts on digital networks. These original materials, intended to depict a picture of Mangione, instead render him an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’

The Meaning Behind the Crime

As for “the meaning” of the title, Richardson takes as his lead three words – “delay”, “deny” and “remove”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He looks at the indication Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what significance there is seems to rest in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or eliminate humanity, or both.

Missing Pieces

Notably missing from the book are conversations with the key individuals. Richardson made requests, but never expected access to Mangione himself. And his family made it clear that they had chosen not to talk to the media in advance of the trial. Another flashing-yellow omission is any detailed data about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings rose significantly.

Unclear Conclusions

By the conclusion, the audience has little insight of Mangione’s personality or what could have driven his alleged crimes. More troubling, Richardson’s obvious sympathy for him gives the reader the uncomfortable impression of having been privy to a subtle approval of an targeted killing. In the book’s final lines, Richardson presents his fairytale assessment: “We’ve entered a era of stories, the mad king, the monster in the maze and the emperor without clothes.” In that fable “outlaw heroes come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and nothing makes sense anymore.”

One thing is certain: as Mangione’s defence team continues in its attempts have charges that could lead to the death penalty dismissed, any mention of fables, folk heroes, champions or monsters will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Zachary Rojas
Zachary Rojas

Tech enthusiast and business strategist with over a decade of experience in driving digital transformation and innovation.